
Good Morning, SuperForest!
Our very own Superforester Taylor has just released his first solo album, Whiplash Ballroom!
Taylor and I were talking and we thought it would be fun if I interviewed T about what made him tick, his thoughts on peace and music, and why his album is packaged in all recycled material.
And here is that very interview! Love:
What inspires you as a songwriter?
I am inspired by other art. Like the cross pollination of a worker bee. BUZZ. Movies inspire me the most though. Blade Runner, Alien, Harold & Maude. I especially love movies that are cross pollinators. Take one of my favorite movies for instance. Blade Runner. It’s is a beautiful Film Noir and a Sci-Fi classic with the most amazing artists all working on it. Ridley Scott’s direction, Phillip K. Dick’s story, Cronenweth’s camera, Syd Mead’s glorious illustration and visions of the future. They give me such energy to work on something of my own. I really like what Jim Jarmusch said about stealing from everywhere that resonates with inspiration, then it will be authentic. It’s flattery. Really!
Who inspires you?
My grandma Veith. She is a firecracker snapdragon beauty queen. I love her.
Tell us about the production of this album. Who worked on it with you, who helped you nurture it? What is it about?
I hope by explaining this I am not going to water down my tea too much for you but it’s pretty simple. I always use the same structure. Intro verse chorus, verse chorus, bridge chorus, outro. Now each one of these might be a little bit longer or shorter for each song but for the most part I use the same esqueleto. I have a feeling this works as a pretty good Narrative Archetype. I try and use the rule of comedic threes with the songs elements. If something happens in the song, beyond the structure, whether it is a melody or a main or peripheral sound, you will hear it again in some other capacity in the song two more times. Whether you are aware of it or not it’s there. I find myself really drawn toward symmetry. Even when I am painting or drawing something, the piece just always feels better if it’s balanced on both sides. I worked on Whiplash Ballroom with two great friends of mine in Austin. I played a few songs for my best bud Jason Lewis and he really encouraged me to play them for another friend of ours, living in Austin, Ryan Young. See, Ryan is a few years older than me but in High School my friends and I revered him as a musical juggernaut. We would hear him play at talent shows and we would hum oooooo Ryan Young. Even after he left school he had a reputation. So when I first/re met him in Austin I was a little bashful. Needless to say, he loved the songs and wanted to produce an album for me and we became amazing friends.
Physically your album is packaged in recycled materials, how did you decide on that?
I really wanted this to be important in the release of Whiplash Ballroom. I did a lot of research on the subject and you would be surprised how many options are out there! My wife is a designer so she had so much intelligent and creative insight. The most responsible means of getting music to people this minute is digitally. So we first released the album on line. Then for a tangible product we decided to go with something very minimal while maintaining some protection and design. So, we put the album title and my name on the disc. You could see the title and name through a die-cut hole in the sleeve. The packaging, “resleeve”, is 100% recycled chipboard from post consumer post industrial products by a company called Sustainable Group. We printed all of the info on the back of the sleeves with a man powered 100 year old Italian letter press.

How does your songwriting reflect your views on humanity? On love?
I decided I had been a consumer in so many ways for so many years. In terms of art and music and food and clothes and gadgets and light and life. It’s such a grody term, “consumer”, so I wanted to become a producer of these things too. I had this feeling that I needed to get these ideas and products out of myself before it was too late. I’m not really sure what that “too late timeline” really is but it surely gave me a sense of focus and a sense of ownership and urgency. Regardless, I am just getting started. Each song is basically a concept I was dealing with and then got through and conquered. I think we can all do this. Our first reaction is so sensuous. We see or hear or taste or feel a problem and that’s all there is, the problem. The wall of Jericho towering in front of us. Then, the next step is to know that beyond that problem is the promise land. Don’t stay stagnate and bogged down in front of the thing. Love can be so cosmic. That is a huge theme in this album. The way to experience love the way it is supposed to be, is to be fully engaged in it. Not half hearted but really in there, putting someone before you and not looking back. So, if you listen carefully to the Litanies in between the songs they are the revelations. They are called litanies because as we experience a problem in a day we can say these things to ourselves and then DO THEM for OTHER PEOPLE. In these litanies I say things like “look at it this way”, “I’m really listening to you”, “my house is your house”, “don’t bail out, you are about to break through” & “I can’t say it enough, I love you”. It’s the hero’s journey, the archetypal narrative with encouragement along the way. We can’t do it alone. Each song is a narrative arch driving a song vehicle with cinematic handling and YOU are the passenger.
Tell us about your life in Texas. What do you do day to day and how does that reflect in this album?
My life is reeaaally superb right now. I hate to toot the old horn but BrrrrRPPPP! I have a mesmerizing and hilarious wife who is so filled with love and wonder. We just got our first home together and we built it green. Low flush “Terlets”, a tank less water heater, radiant barrier in the attic and under the house with specialized temp vent blowers to regulate heat. Low water landscaping, Rain barrels, compost tumblers, super sealed entrances, etc. It’s like a space probe in Texas.
I am the Human Resources Director of a big commercial construction subcontractor here in Texas called Baker Triangle. I LOVE my job. I get to interact with many different people everyday, I research and develop ways to positively cultivate and inspire each employee and the company as a whole and I recently was asked to be the “Green Representative” for our company! Pretty sweet!
I think I would HAVE to have it this way. Then I can come home and reflect and write the tunesies. What I think about and do at work comes out in the songs when I get home. It’s a good relationship.
What are a few of your favorite sounds?
I love Tuvan bi-tonal singing, My wife’s laughter, Gospel and Renaissance choirs, hardboiled eggs cracking, any forest anywhere, the whir of my road bike’s free wheel when I pedal backwards and all of “Gimme Shelter” by the Stones.
And I’ve got to be totally honest with you Jackson; I think there is nothing funnier in this wide blue world than farts. Even the word make me chuckle.
Can you play the saw?
I have tried! And it sounded awful! But I am willing to take lessons if you are willing to give them! And a second request can you find me a bow made with unicorn hairs? Then I think I would really get it!
Do you believe in building a better world through music?
Goodness Gracious yes! It starts with me and you and them and us. Let’s build it! I love that people use the word “build” with that phrase. It implies to me that we have a solid foundation and maybe some towers and buttresses get a little off track sometimes but we are all in the process and moving upward.
Are you planning on touring?
I am playing around Dallas and Austin currently. I have a recorded show scheduled in Austin during SXSW so I will make sure to get that to you A-SNAP! In fact why don’t come along?! And bring your little bean shaped puppy friend!
To wrap it all up, why do you write for SuperForest?
Oh heavens…There is so much going on the world. I want to live in it all! I can’t do it alone. I have a nerdy need to search. It must stem back from a hairy genetic drive to go out in the forest and hunt and look for food and new paths and new territories and new caves and new discoveries. Not necessarily conquer all of these things in the forest, just search them out and discover them and do something even more important. Share them with everyone else. I like to tell people about what I love. I love to share my lunch, or a Three Philosophers brew dawg or an old Aretha song I JUST discovered. It may be some sort of insecurity I have but it just feels better to me. They don’t have to love it too but at least they listened. Maybe there’s a teacher in me. I don’t want people to be forced to take something in, I think it only works long term, when we accept it for ourselves. Just present the present. As long as they know in their heart, I am for it. I love to encourage people. Giving people a little ba-BAM! boost is such a rush for me. I may not be the one to tip the scales for them so they take the next step in whatever they are doing or whoever they are, I may be number four hundred and fifteen but its such an energizing and cosmic thing to know I am part of the ribbon. We are ALL part of the ribbon for each other! Crazytastaculous! For me, checking it all out on the web and mixing it up in everyday life is kind of like being on the starship TAYLORPRISE. One mission. Search and share.
LOVE,
TV
Love right back at you, T.
Here’s Taylor’s myspace page for to further your adventures on the Starship Taylorprise. And here’s Taylor’s site.
Recent Comments